Starring: John Saxon, Charles Aidman, Sydney Pollack, Tommy Matsuda, Gavin MacLeod

Summary: For some soldiers, the fighting never stops even when the battle is over. OscarÂ(r) winner*Robert Redford makes a memorable big-screen debut in this "subtle, poignant, carefully engraved film" (The New Yorker) about the darker side of war. During the final bloody weeks of the Korean War, idealistic Private Loomis (Redford) is sent to the front lines as a replacement in a battle-weary platoon. But when he learns that a reclusive fellow soldier named Endore has been sneaking behind enemy lines to kill under the cover of darkness, Loomis fears that Endore isn't just a fearless warrior but an unpredictable, sinister predator who could prove more dangerous than the enemy! *1980: Director, Ordinary People; 2001: Honorary Award

Starring: Dan Bell, Lara Flynn Boyle, Colleen Camp, Tia Carrere, Dana Carvey, Frederick Coffin, Michael DeLuise, Donna Dixon, Brian Doyle-Murray, Chris Farley, Kurt Fuller, Michael G. Hagerty, Rob Lowe, Meat Loaf, Mike Myers, Charles Noland, Robert Patrick, Sean Gregory Sullivan, Lee Tergesen

Summary: TV's Saturday Night Live has been like the evil twin of the legendary alchemist's stone, which supposedly could turn lead into gold. SNL usually does the opposite, taking rich comic premises from short skits and extrapolating them into overblown and unfunny full-length films. ("The Coneheads"? Puh-leeze!) But this film proved to be the exception, thanks to Mike Myers's wonderfully rude lowbrow humor and his full-bodied understanding of who his character is. Wayne Campbell (Myers) and his nerdy pal Garth (Dana Carvey) are teens who live at home and have their own low-rent cable-access show in Aurora, Illinios, in which they celebrate their favorite female movie stars and heavy-metal bands. When a Chicago TV station smells a potential youth-audience ratings hit, the station's weasely executive (Rob Lowe) tries to coopt the show--and steal Wayne's new rock & roll girlfriend (Tia Carrere) at the same time. It's filled with all kinds of knowing spoofs of movie conventions, from Wayne talking to the camera (and forbidding other characters to do so) to hilariously self-conscious product placements and labeling a moment a "Gratuitous Sex Scene." Dumb--and very funny. --Marshall Fine

Starring: Dan Bell, Tia Carrere, Dana Carvey, Richard Epper, Benny Graham, Gavin Grazer, Googy Gress, Joe Liss, Heather Locklear, Jenny McShane, Mike Myers, Michael A. Nickles, Bob Odenkirk, Larry Sellers, Bobby Slayton, Robert Smigel, Lee Tergesen, Duke Valenti, Christopher Walken

Summary: Somewhere in the world, there are probably people who don't understand why Mike Myers's character, Wayne Campbell, is funny--which is too bad. Granted, the laughs are often cheap and silly, but there's no one who can embody a comic character and riff within that character the way Myers does. Wayne and his pal Garth (Dana Carvey) were fixtures on Saturday Night Live before the unexpected success of Wayne's World, which is about what happened when they tried to take their local cable-access show citywide. This time, they want to stage Waynestock, a mammoth rock festival in their little Chicago suburb, even as Wayne copes with girlfriend Tia Carrere's interest in record-company exec Christopher Walken. For extra fun, Garth gets involved with the babelicious Kim Basinger. Yes, the humor is scattershot and the plot is lame--but you'll find yourself laughing nonetheless. --Marshall Fine

Starring: Anthony Michael Hall, Kelly LeBrock, Ilan Mitchell-Smith, Bill Paxton, Suzanne Snyder

Summary: Two unpopular teenagers, Gary and Wyatt, fail at all attempts to be accepted by their peers. Their desperation to be liked leads them to "create" a woman via their computer. Their living and breathing creation is a gorgeous woman, Lisa, whose purpose is to boost their confidence level by putting them into situations which require Gary and Wyatt to act like men. On their road to becoming accepted, they encounter many hilarious obstacles, which gives the movie an overall sense of silliness.

Starring: Natalie Wood, Richard Beymer, Russ Tamblyn, Rita Moreno, George Chakiris

Summary: The winner of 10 Academy Awards, this 1961 musical by choreographer Jerome Robbins and director Robert Wise (The Sound of Music) remains irresistible. Based on a smash Broadway play updating Shakespeare's Romeo and Juliet to the 1950s era of juvenile delinquency, the film stars Natalie Wood and Richard Beymer as the star-crossed lovers from different neighborhoods--and ethnicities. The film's real selling points, however, are the highly charged and inventive song-and-dance numbers, the passionate ballads, the moody sets, colorful support from Rita Moreno, and the sheer accomplishment of Hollywood talent and technology producing a film so stirring. Leonard Bernstein and Stephen Sondheim wrote the score. --Tom Keogh

Starring: Billy Crystal, Carrie Fisher

Summary: Nora Ephron wrote the brisk screenplay for this 1989 romantic comedy, director Rob Reiner made a nicely glossy New York story (very much in a Woody Allen vein) out of it, and Billy Crystal's unstoppable charm made it something really special. Crystal and Meg Ryan play longtime platonic friends who keep dancing around their deeper feelings for one another, and Bruno Kirby and Carrie Fisher are their respective pals who fall in love and get married. Ryan doesn't get a lot of funny material, but her performance is typically alive and intuitive, and she more than holds her own with Crystal's comic motor mouth and sweet sentimentality. Reiner is on comfortable ground, liberated from the burden of making serious statements in the lead-footed manner of subsequent features. --Tom Keogh

Starring: Gene Wilder, Jack Albertson, Peter Ostrum, Roy Kinnear, Julie Dawn Cole, Leonard Stone, Denise Nickerson, Nora Denney, Paris Themmen, Ursula Reit, Michael Bollner, Diana Sowle, Aubrey Woods, David Battley, Günter Meisner, Peter Capell, Werner Heyking, Peter Stuart, Ismed Hassan, Malcolm Dixon

Summary: Having proven itself as a favorite film of children around the world, Willy Wonka & the Chocolate Factory is every bit as entertaining now as it was when originally released in 1971. There's a timeless appeal to Roald Dahl's classic children's novel, which was playfully preserved in this charming musical, from the colorful carnival-like splendor of its production design to the infectious melody of the "Oompah-Loompah" songs that punctuate the story. Who can forget those diminutive Oompah-Loompah workers who recite rhyming parental warnings ("Oompah-Loompah, doopity do...") whenever some mischievous child has disobeyed Willy Wonka's orders to remain orderly? Oh, but we're getting ahead of ourselves ... it's really the story of the impoverished Charlie Bucket, who, along with four other kids and their parental guests, wins a coveted golden ticket to enter the fantastic realm of Wonka's mysterious confectionery. After the other kids have proven themselves to be irresponsible brats, it's Charlie who impresses Wonka and wins a reward beyond his wildest dreams. But before that, the tour of Wonka's factory provides a dazzling parade of delights, and with Gene Wilder giving a brilliant performance as the eccentric candyman, Wonka gains an edge of menace and madness that nicely counterbalances the movie's sentimental sweetness. It's that willingness to risk a darker tone--to show that even a wonderland like Wonka's can be a weird and dangerous place if you're a bad kid--that makes this an enduring family classic. --Jeff Shannon

Starring: Harrison Ford, Kelly McGillis, Josef Sommer, Lukas Haas, Jan Rubes

Summary: When Samuel (Lukas Haas), a young Amish boy traveling with his mother Rachel (Kelly McGillis), witnesses the murder of a police officer in a public restroom, he and his mother become the temporary wards of John Book (Harrison Ford), a detective who's been assigned to solve the crime. After suspect lineups and mug-shot books yield nothing, Samuel, in the most memorable scene of the film, recognizes the murderer as a narcotics agent whose picture he sees in the precinct. Once Book realizes that the police chief is in on it, too, he whisks Samuel and Rachel back home to Amish country, where he himself goes into hiding as a plain Amish man. The juxtaposition between the life of the Amish and the violence of inner-city police corruption work surprisingly well for the story, and Kelly McGillis as the falling in love widow gives an almost perfect performance. Directed by Peter Weir, the film is extremely successful in drawing the viewer into its world and, accordingly, is immensely entertaining. The only thing that mars its polish is the one-dimensional, almost cartoonish handling of the upper-echelon police corruption--a subtler, more realistic treatment of this aspect of the story would have rendered the film near perfect. --James McGrath

Starring: Tyrone Power, Marlene Dietrich, Charles Laughton, Elsa Lanchester, John Williams (II), Henry Daniell, Ian Wolfe, Torin Thatcher, Norma Varden, Una O'Connor, Francis Compton, Philip Tonge, Ruta Lee, Molly Roden, Norbert Schiller, Jack Raine, George Pelling, William H. O'Brien, J. Pat O'Malley, Ben Wright

Summary: Billy Wilder cowrote and directed this brilliant 1957 mystery based on Agatha Christie's celebrated play about an aging London barrister (Charles Laughton) who's preparing to retire when he takes the defense in the most vexing murder case of his distinguished career. In his final completed film (he died of a heart attack less than a year later), Tyrone Power plays the prime suspect in the murder of a wealthy widow, and Marlene Dietrich plays the wife of the accused, whose testimony--and true identity--holds the key to solving the case. A classic of courtroom suspense, Witness for the Prosecution is one of those movies with enough double-crossing twists to keep the viewer guessing right up to the very end, when yet another surprise is deftly revealed. This being a Billy Wilder film, the dialogue is first-rate and the acting superb, with both Laughton and his offscreen wife Elsa Lanchester (playing the barrister's pesty nurse) winning Academy Awards for their performances. Although later films would concoct even more complicated courtroom scenarios, this remains one of the best films of its kind and a model for all those films that followed its lead. --Jeff Shannon

Starring: Burke, Morgan, Haley, Garland

Summary: When it was released during Hollywood's golden year of 1939, The Wizard of Oz didn't start out as the perennial classic it has since become. The film did respectable business, but it wasn't until its debut on television that this family favorite saw its popularity soar. And while Oz's TV broadcasts are now controlled by media mogul Ted Turner (who owns the rights), the advent of home video has made this lively musical a mainstay in the staple diet of great American films. Young Dorothy Gale (Judy Garland), her dog, Toto, and her three companions on the yellow brick road to Oz--the Tin Man (Jack Haley), the Cowardly Lion (Bert Lahr), and the Scarecrow (Ray Bolger)--have become pop-culture icons and central figures in the legacy of fantasy for children. As the Wicked Witch who covets Dorothy's enchanted ruby slippers, Margaret Hamilton has had the singular honor of scaring the wits out of children for more than six decades. The film's still as fresh, frightening, and funny as it was when first released. It may take some liberal detours from the original story by L. Frank Baum, but it's loyal to the Baum legacy while charting its own course as a spectacular film. Shot in glorious Technicolor, befitting its dynamic production design (Munchkinland alone is a psychedelic explosion of color and decor), The Wizard of Oz may not appeal to every taste as the years go by, but it's required viewing for kids of all ages. --Jeff Shannon

DVD features
The Wizard of Oz DVD released in 1999 was loaded with extra features, but it's now safe to throw away that version in all its cardboard-package glory in favor of the new three-disc edition. First things first: All the bonus material from the earlier disc is there. That includes the Angela Lansbury-hosted documentary The Making of a Movie Classic; the outtakes and deleted scenes, including Judy Garland's "Over the Rainbow" reprise and the home-movie recording of "The Jitterbug"; the sketches and stills and composer Harold Arlen's home movies; the audio underscores and radio programs; the 1979 interviews with Margaret Hamilton, Ray Bolger, and Jack Haley; and other items too numerous to mention. (Some text introductions to the features have been replaced by narration by Lansbury, for whatever reason.) Brand-new to the 2005 edition is a sharp restoration using Warner's Ultra Resolution process and an accompanying featurette on how it's done. The technicians also discuss how the sound was remixed, though that would have been more effective had it included surround-sound demonstrations (the featurette is in 2.0). Other features on the new set include a commentary track by critic John Fricke supplemented by vintage cast interviews (he offers a lot of trivia, and debunks the myth that Shirley Temple was ever close to getting the Dorothy role); profiles of nine cast members and clips of other movies they appeared in (including Toto); a lightly animated 10-minute storybook again narrated by Lansbury; 2001 and 2005 behind-the-scenes featurettes; and a 1950 Lux Radio Theater broadcast.

The 1999 disc also included one-minute excerpts of three early treatments of The Wizard of Oz. The third disc of the three-disc collector's edition includes the complete versions of those treatments and more. They are four silent films: "The Wonderful Wizard of Oz" (1910, 13 min.), "The Magic Cloak of Oz" (1914, 38 min.), His Majesty, the Scarecrow of Oz (1914, 59 min., written and directed by Baum himself), The Wizard of Oz (1925, 72 min., Larry Semon). The fifth treatment is Ted Eshbaum's 1933 Technicolor cartoon short which has songs and sound, and is the first depiction of Kansas in black and white and Oz in color. The third disc also has a 38-minute biography of L. Frank Baum, and collector's-edition supplements include a gorgeous set of photo cards among other materials. --David Horiuchi

Starring: screenwriting

Summary: Halperin provides tremendous insight into effective character development in order to create great characters for screenplays. Frederick S. Pierce, CEO Frederick S. Pierce Co., former president, ABC-TV, past chair American Film Institute. All great motion pictures, plays, and novels begin with superb characters. The DVD explores, in an easy-to-understand, down-to-earth presentation, how an understanding of archetypal models from fairy tales, folklore, classic films and contemporary motion pictures leads you on the right path to "Write Great Characters". MICHAEL HALPERIN is a professional television writer, screenwriter and author. Halperin wrote Writing The Killer Treatment: Selling Your Story Without A Script, Writing the Second Act: Building Conflict and Tension in Your Film Script, and Writing Great Characters: The Psychology of Character Development in Screenplays. His books have been adopted by universities and are major book club selections. His newest novel for young adults, Black Wheels, was published in June 2003 and his screenplay adapted from his novel will soon be a major motion picture. He holds a Ph.D in Film Studies and teaches in the School of Film & Television at Loyola Marymount University.